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摘要
商周时期的青铜器,神秘怪异的动物纹饰占有很大的比例。这种装饰风格不仅是奴隶主贵族审美观的简单反映,更是其内在深刻涵义的体现。本文以最具代表性的动物纹饰——饕餮纹为例,通过对古书史料的有关记载和考古实例的分析论证,认为商周青铜器动物纹饰的内涵包括:一、充当了沟通人的世界与神的世界的媒介的作用,作为可通神的神灵被古人崇拜。二、具有宣德训诫、垂范后世的寓意。但随着社会的发展,至西周中期后,人们的宗教意识淡化,青铜器的装饰风格变化,这些动物纹饰也逐渐失去了神奇怪异的特性。

关键词 商周青铜器;动物纹饰;内涵

Abstract the Shangzhou time's bronzeware, the mystical strange animal decorative design in a utensil holds the very great proportion. This kind of decoration style is not only the Slave-owning aristocracy aesthetic standard simple reflection, is its intrinsic profound implication manifestation. This article take the most representative animal decorative design in a utensil - - taotie design as an example, through to the ancient book historical data's related record and the archaeology example's analysis proof, thought that the Shangzhou bronzeware animal decorative design in a utensil the connotation includes: First, acted as has communicated person's world and the god world medium function, took the passable god the God to worship by the ancient. Second, has Xuande to admonish, to hang the Fan later generation the implication. But along with society's development, after the Western Zhou Dynasty intermediate stage, people's religious consciousness desalinates, the bronzeware decoration style change, these animal decorative design in a utensil gradually has also lost the mysterious strange characteristic.
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