Up is a slightly-left-of-center masterpiece. The emotional impact of the beautiful, wordless summation of Carl's life that opens the movie is the bass note that resonates through the whole film and is at least as affecting as the scene in Wall-E when he holds his own hands while watching Hello Dolly. The rest of the movie, of course, is breathtaking on just about every level, especially the tactile quality of all the characters and textures and the completely realized weather effects and action scenes. With no "new" technical milestones (fur in Monsters, Inc., water in Finding Nemo, realistic camera effects in Wall- E), the design is the main focus, from the hilariously stylized characters to the amazing setting of the tepui.
I know----that's a interesting trip!
追问能不能把这篇短文翻译也给我O(∩_∩)O谢谢
追答是一个稍微中间偏左的杰作。情感影响的美丽,无言的总和的卡尔的生活,打开电影是低音注意,通过整个电影共鸣,至少是作为影响,因为场景在瓦力当他拥有自己的手在看你好多莉。其余的电影,当然是惊人的每一层面,特别是触觉质量在所有的人物和纹理和完全意识到天气效果和动作场面。没有“新”技术里程碑(毛皮在《怪兽公司》、《海底总动员》,水在现实的相机效果在墙- E),设计是主要的焦点,从喜不自禁地程式化的字符的tepui神奇的设置。
我知道——这是一个有趣的旅程!
我是用翻译给你翻得，我没有印象回答过这个问题。